Jason Lew Photography bio picture

A Photographer

A while back someone once asked me why I do photography. This caught me a little off guard as I never really thought about why I do it. It's just something that is so much a part of my life that I cannot imagine being without a camera in hand. Even while simply walking down the street I find myself unconsciously examining the quality and direction of light.

Photography allows me to capture something that would not normally be seen. Maybe it's a different perspective or distortion caused by a lens, or a manipulation of natural or artificial light. Photography also captures that one moment that will never be seen again.

All of the people I've met and places I've traveled have changed my life. I look back at my photographs and those moments come back into vivid reality. This site is an attempt to share these experiences with you. So come on in and take a look around. Feel free to drop me an email or post a comment.

The Look, The Feel…of Concrete

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I’ve been MIA for a while now. Just been really wrapped up in a video project. I’ve been promising a short clip for a while now, well, it is coming soon, I promise. For now here are a couple pics from an interior shoot I did a little while ago. Cheol-sa Kim is a really talented artist, actually multi-disciplinary artist. Not only is he an incredible fine art painter, he also makes great sculptural furniture out of wood, metal and concrete. I never really knew there were so many visual possibilities with concrete in terms of texture and color. It’s pretty cool stuff. All of these photos were shot with a 5′ octobox as main and a white shoot through for fill.

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Celtic Flamenco

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Mixing Celtic harps with flamenco dancing sounds a little weird. Surprisingly it went together better than I imagined it would. I guess it also helps that you have a dancer as beautiful as Fanny Ara onstage.

All the flamenco shows I’ve shot have been loud with multiple singers, furious guitar picking and strumming, hand clapping, and often percussion. This one was much quieter with perhaps the loudest instrument being the castanet… So I was somewhat reserved in my shooting so as not to annoy too many people with my shutter noise. This was not a show to unleash a 9fps shutter blast. I’ve always thought about investing in a Blimp to muffle camera noise during quiet shows but those instances are so rare that I’ve always put it off. Also, I just can’t imagine shooting anything where the lighting changes quickly and to an extreme degree and having to open up the case each time to change camera settings. For now, I guess I’ll just have to wait until Nikon comes out with a mirrorless EVF body…

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Diaspora Negra

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I shot this incredible concert that brought together several music and dance groups that were influenced by the African Diaspora. There were four groups crammed into the one night and I almost wished that the concert could have gone on for much longer. There was just so much diversity and excitement.

The lighting for this show was pretty dark. Most of the time I was shooting at 4000 iso at f/2.8 with a shutter of around 1/100. To make matters worse, most of the lights were colored or gelled yellow! “White” light or a normal tungsten balanced spot was non-existent. Even a white balance of 2k in post still had a pronounced yellow cast. Argghh.

The first group performing was an Afro-Cuban group called Sandy Perez y su Lade. The dancer had this machete that he was furiously swinging about which of course makes for a great photo. I spent most of my time during this set concentrating on him.

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Out on a Limb

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Here are some photos from a recent shoot for a museum exhibit marketing manual. The exhibit was great and so were the kids who were the models for the shoot. I had originally planned on using a small Dynalite power pack and head with a shoot through umbrella which I would wheel around the exhibit. I was also shooting tethered to a laptop. That all lasted about a half hour before I had to give up on that idea in favor of mobility. It would just not have been possible to cover all the areas and the kids in the time I had available. It was time for dual camera bounced flash mode or simply available light as in the photo above.

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Aguacero

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I’ve been a little lazy about posting lately I know. I’ve been wrapped up in a video project that still has a ways to go. I’ll post a small clip sometime in the future…

Anyway here are some shots by the group Aguacero, an Afro-Puerto Rican bomba music and dance group. I really enjoyed this show. There was a lot of movement, great rhythms and fantastic singing. This form is very improvisational. The dancers will move how the drum makes them feel and with their movements, call for accents or beats from the drummers. There’s this great interplay between the dancers and drummers that was really cool to watch. It makes me want to try learning this music but I already have too many neglected instruments as it is. There’s never enough time in the day is there?

This show had constantly changing light levels, often to an extreme degree, and dancers that would go in and out of spotlights in the matter of seconds. Many times there was no chance to adjust exposure so I just shot and figured on making some adjustments in post. Sometimes it really amazes me how much you can pull back the highlights of the D3 images and still have something usable.

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Dohee Lee – Deep Sea

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f/2.8, 1/80, 70-200mm at 200mm, iso 3200

Dohee Lee gave another great performance at her work in progress show “Deep Sea”. Sight lines at this venue were rather limited so I tried to isolate performers in the frame and relied heavily on the 70-200mm. I thought about adding on a 1.4 converter to get in even closer but the loss of a stop would have been too much. I was already shooting at iso 3200-4000 and could only get a max shutter speed of 1/125 sec.

More photos after the jump…

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